
I confess I’ve not seen ALL of Wes Anderson’s films but can attest that the ones I have seen were filled with amazing images and situations which linger in the memory long after the credits have rolled and it’s time to leave the cinema. Above is the spectacular model for the Grand Budapest Hotel which was a gloriously witty, stylised (and Oscar-winning) film.



Wes Anderson has hung onto everything. Above is the spectacular painting ‘Boy with Apple’ which channels the best renaissance painting but was created by British artist Michael Taylor specially for the Grand Budapest Hotel.
From his very first short film, The Bottle Rocket, (when he discovered that the production company has rights over all the props and costumes) he understood the importance of keeping control over items created for films; and ever since he has kept storyboards, costumes, props and memorabilia from his films. Nearly thirty years’ worth of items have been stored in a vast space in Kent and now they have been removed from boxes and displayed for all to see. The curators of the show have done a great job in presenting everything and clips from films are shown on screens too, giving context to the objects.





The little puppets and models for his epic stop-motion films, Fantastic Mr Fox (2009) and Isle of Dogs (2018) are glorious to view. Apparently it was the talented puppet makers and craftsmen of the UK which drew Wes to the UK to make these films.





You might recognise, above, the Royal Tenenbaum props and costumes, or artwork from Moonrise Kingdom.




So, my resolution for 2026 is to watch all the Wes Anderson films I’ve not seen and revisit the ones I have. I think, having seen this show, my experience of the films will be all the richer.
The show is on at the Design Museum until 26th July 2026.



















