The drawings and ink sketches of French 19th century novelist, Victor Hugo, really are ‘Astonishing Things’ and it was fascinating to see a selection of the thousands he produced on show at the Royal Academy. They’re pretty dark, slightly creepy and give insight to a creative mind and a complex man.

There’s a feeling of vigorous movement to Hugo’s art. These landscapes were inspired by the coastline of his Channel Island homes – in Jersey and Guernsey. They are full of energy, foreboding and danger. I’d say they were created very swiftly using brushes loaded with ink, combined with the swishes of a feather. Very dramatic. I wonder if he had seen some of JMW Turner’s work – such as the very atmospheric impression of a storm?

Victor Hugo is probably best known for his novel, Les Miserables. However, another bestseller in his lifetime was the Toilers of the Sea, (and also The Hunchback of Notre Dame). Toilers is a very compelling novel which involves a ship being attacked by a giant octopus. Judging from these drawings he clearly studied the forms of these sea creatures and, when the book was published in 1882, it included his own drawings.

Above are photographs of his home in St Peter Port, Guernsey. Hautville House is a large town house and Hugo added ‘Le Lookout’ at the top of the building where he would stand at a high desk to write while looking out over the bobbing boats in the harbour. I visited Hautville House years ago and was struck by the very oppressive atmosphere of the place. I’m not sure I would like to have been a guest at the place. Apparently Victor Hugo rigged up gas burners in the spare rooms which he would make flare up at night and terrify the occupants. He also arranged mirrors strategically up the stairs so that he could see into all the room from his Lookout and know who was approaching.

He took control of the decoration of his house (I think his wife must have been very long-suffering to put up with his heavy and rather ‘gothic’ taste.) He even created some of the furniture such as this mirror with a painted surround. Apparently he would walk up to ‘Exile’s Rock’ in Jersey and sit alone upon it thinking and writing before retiring to his study in the Lookout and write his books, poetry, plays and political treatise.

I was impressed to learn about his strongly-held political views. He was fiercely anti-slavery and appalled when John Brown, an American abolitionist was executed in Virgina after being accused of inciting a slave rebellion. Victor Hugo made this image in protest.

He spent a great deal of time travelling around Europe (avoiding France) with his sketchbook, noting scenes and recording landscapes and buildings. He didn’t seem to be so interested in drawing people.

It’s a very interesting show which provides a welcome view of this revered 19th century novelist whose books are still popular. And it’s treat to see his drawings which rarely leave France. The show is on at the Royal Academy until 29th June 2025.

Prince George & Master Frederick has been published! Yes, my historical fiction novel was launched in style with an event at St Giles’ Church, Cripplegate. A huge crowd braved a chill January evening and gathered to buy signed copies and listen to speeches about the book

I’ve always loved book launches but this one was the best ever! It’s an amazing feeling to publish your debut novel. But quite daunting to stand up in front of a large audience and explain how researching a family story turned out to be so fascinating that I simply had to write the story of Frederick Blomberg, the secret son of King George III. Having been introduced to the gathered crowds by my publisher, Janet Weitz of Alliance Publishing Press, I stood up and gave a speech.

In this picture I’m standing in front of a print of a portrait of Master Frederick Blomberg, painted by court artist Richard Brompton in about 1770. The painting was commissioned by Queen Charlotte and it’s a companion piece to two other portraits of her royal sons: Prince George, Prince of Wales and Prince Frederick, Duke of York which now hang in the 1844 Room at Buckingham Palace. I was delighted to put this painting of Prince George in Garter robes next to his ‘adopted’ brother, Frederick Blomberg on the front cover of my book.

And what fun it was to welcome so many lovely friends to the book launch, sign books and chat. And for all those who could not be there, you can order a signed copy through my author website: http://www.rosalind-freeborn.com Otherwise, you can buy a copy through Amazon, (on Kindle, print or Audible) and through bookshops.

In my talk I showed a display of portraits commissioned by Queen Charlotte in 1769 of her family, drawn as a set by the artist Hugh Douglas Hamilton. The portrait of Frederick was probably given to Frederick Blomberg by Prince George and ended up at his home in Yorkshire, Kirby Misperton. After Blomberg died in 1847 the little portrait remained on the wall, through two subsequent owners, until my great-grandfather bought the estate and my grandmother grew up there. She used to look at the picture of Frederick on the wall of her home and told me that the boy was the son of King George III (wrong side of the blanket, as she put it). That piqued my interest but I did nothing about it for decades. Then, about five years ago, I thought I’d investigate this claim and find out more about Blomberg. Well, what I discovered was so fascinating that I was compelled to write this novel.

I’ve been so delighted with the quantity of publicity this book has attracted. Above is a feature which appeared in the Yorkshire Post. I’ve done radio and television interviews too. Yes, I feel very published!